Aldminster is a fictional cathedral in England created by
Joanna Trollope in her novel The Choir.
Here is a telling description of the dean’s wife:
When he [the dean] had wooed her and won her—no very arduous task, for she was thirty-two, very eager, yet very exacting as to the breeding and calling of her suitors—he discovered that she thought God was a part of mammon, a kind of high moral gloss available to put upon the good things of the world. He also discovered that she was not teachable, that she lacked not only any kind of self-awareness but, even more dangerously, the smallest atom of humility.
Joanna Trollope is a top-ranked writer and worthy descendant
of Anthony Trollope—and, sure enough, one hears the voice of the genuine author
as she looks down upon the world and dispassionately notes what she observes.
But questions do arise. Can observers like Joanna Trollop or
like me really be sure that such
descriptions are correct? If yes then people like the dean’s wife precisely
match the modern description of what a human being is, thus a pure mechanism
driven entirely by instinct and habits formed by her environment. If the modern
description is correct, what do we make of people who can consciously process
such a description? That takes self-awareness. But how can self-awareness be
the product of mechanism?
The dean’s wife is a healthy, vital, energetic sort, busy,
active, and very active in the social round, although quite manipulatively. She’s
intelligent enough, indeed quite smart in reading the clues of her environment—and
it’s a complex one. I loved this description when I read it the other day. It concentrates
quite a few problems in living pattern usually absent from abstract
discussions. Here are the problems. If she is really devoid of self-awareness (as
her behavior indicates, but it’s typical
behavior) and if she is nonetheless intelligent, is intelligence per se part of
consciousness?
The traditional view is that intelligence is in the soul, not in the circuits of the brain.
The dean’s wife is not a machine. She too has a soul. But then why does she
behave in such a way as to seem an automaton—very complex but still one. My take
is that she illustrates the human condition—and my favorite thematic, the fall.
Her intelligence is too a function of
her soul, but she is so covered over by the dust of some very ancient volcanic
explosion that she is totally shielded from the higher currents that could
bring her awake.