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Monday, December 14, 2009

The World Next Door

Fourth in a series on Revelation and Scripture.

To derive a fully formed subtle world—inhabited by discarnate spirits yet—just by talking about artistic inspiration—and that in order to justify revelation—must seem extraordinarily presumptuous to many. But cut me some slack. Conventional ways of thought are narrow. My projection (but let me say that it isn’t my invention) is derived from the experience of consciousness. And it’s no more outlandish than other projections. Another, equally weird, is to presume that matter can organize itself by accident into living and reproducing species for no reason whatsoever—and that, when the sun goes into nova, all of them will disappear, sight unseen, with no one to remember or to know. Religious systems that project a hierarchy of beings represent just one attempt by humans to understand the world; the evolutionary theory is another. In religious systems the starting point is the personal experience, of being, thus of consciousness. In the evolutionary, the starting point is matter. I’m with Disraeli on the side of the angels—another way of saying that consciousness is prior to matter; without it we wouldn’t even have the concept of matter. Consciousness gives us a sense of meaning. Looking at our life on earth, we see no permanent personal meaning for ourselves. Not surprisingly, we project it beyond our current existence—thus into the world next door.

The point I want to make today is that revelation is always based on a cosmological account. All religions project at least one other world, and if one then it is always higher than this one. They assert that we have either descended or have fallen into this one. And the substance of their teaching is to guide us in our re-ascent. Materialism considers this a delusion and justifies it by saying that hope is more adaptive than despair. Religion will therefore wither away only after the mass of humanity has reached a secure and high standard of living. Troubles multiply? People flock back to church. Adaptive behavior. But it isn’t as simple as that. Some won’t be quite so easily bribed into sleep by panem et circenses. Meaning, dammit! Give me meaning.

Religions offer meaning—and they base themselves on revelation. And those who produce the revelations claim to have obtained them from on high, thus from the world next door. Now here I would like to make a distinction. It is between precise and specific kinds of revelation and the symbolical essences these revelations carry. A precise revelation is that of the fall of humanity by disobedience of a divine command taking place in a specific Garden where the forbidden fruit of the Knowledge Tree of Good and Evil was consumed. Another is the Song of the Pearl, concerning the son of a king sent from the “East” to “Egypt” to obtain a precious pearl guarded by a devouring serpent. I’ve written about that myth here. Yet another is the myth of Mazdaism; it suggests that we are volunteers, descended from heaven, to fight on the side of Light against the uprising revolt of Darkness. Here we have one story of a fall and two of a descent. In all of these stories the central figure of the drama is assisted in its struggles to regain the height by messages (read revelation) provided from the highest point directly by intermediate agents or ministers.

The essence here may be rendered by saying that (1) there are at least two distinct worlds; (2) the lower of the two is inferior to the higher; (3) we are in the lower, engaged in conflicts, for good and sufficient reasons; (4) the aim is to ascend again after some job is accomplished; and (5) those of us engaged in this task get help and guidance from above.

The first and constituting element of this essence is that a world next door really does exist. Without it there is no story at all, no project, no accomplishment, no meaning. But now let us suppose that the real message is the essence—and all of its renderings and elaborations are to be assigned to us, to the people of this world. That is my working premise. What the inspiration from on high really carries to us is this essence. We then formulated it into stories, elaborate it, apply to ordinary life, reify it, in a way—and as we begin to do that, that is when all of the problems of religion begin.

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