Visualizing the Invisible

Words mean what the individual using them thinks that they mean. The person’s definition initially comes from others’ use of a word; there is a kind of cloud of consensus in which a word derives, but looking at dictionaries shows that multiple meanings may be present. And then, building on these, the individual may come to use the word to signal something that differs in significant ways from current usage. An example is phenomenon. The word is rooted in the Greek word meaning “to appear” and is related to phantasm, “an apparition, specter.”  In the eighteenth century is was used to mean “an extraordinary occurrence”—such as, say, seeing a ghost. Later, and ever more aggressively, the word has come to mean “an object or aspect known through the senses rather than by thought or intuition.” This is Webster’s second definition; it is specific in detail in an effort to underline the modern meaning. The first is simply “an observable fact or event.” Here is a word which points to contradictory objects, if we may call them objects at all: strange things we don’t know how we can possibly see—and the objects of ordinary experience. The materialist belief denies that anything can be seen by something other than the senses. Therefore, of course, there are no ghosts, spirits, or what have you. In my own use of the word its meaning is “anything experienced” whether or not sight, sound, touch, taste, or smell are involved or not. A thought is just as much of a phenomenon as the stubbing of my toe.

Let me next contrast two phrases, the “spiritual world” and the “subtle world.” The concept of subtle bodies came into English by way of the founder of the Theosophical Society, Madame Blavatsky, in the nineteenth century and originates in Hinduism. Subtle itself has its root in the Latin tela, web, thus something very finely, thinly woven: the subtle body. Spirit is rooted in Latin as well; it meant “soul” as well as “breath” to the Romans; when the breath leaves the body, all that’s left is that second definition of Webster’s above.

The two words here, at the root, are closely related. Gases are certainly the most “finely woven” of material substances; we might call them subtle matter, accessible only to the touch. Both in the sense of subtle body or spirit, they are convenient pointers to something real (experienced, phenomenal) yet altogether invisible. Over time, however, principally due to the rise of Christianity in the West, a rather wide gulf formed between the conceptualizations of a spiritual and a subtle world. The spiritual gathered to itself a vast body of theological accretions. The invisible world beyond the border took on a radically different character than the world we inhabit on our way there. It is a place of judgement, where our deeds in life are weighed—and all depending on the tilt of the scales we go to heaven, hell, or purgatory. In the first we contemplate God to all eternity; in the other we undergo suffering without end; the third is a kind of reformatory. Viewed as a useful motivational ideology, this model has a certain merit, although it ignores Jesus’ words in John 14:2, “In my Father’s house are many mansions: if it were not so, I would have told you. I go to prepare a place for you.” Three mansion are not what I’d call many, hence there is some indication that the model may be not quite all there is to the end times; they may not be end times.  

The subtle world, by contrast, having a less didactic accretion of meanings, suggests at least two ranges of reality, a dense and a subtle, and if two, why not more, both going up and going down. That the spiritual world becomes quite clearly visible—if the faculties are free to see it—emerges from a study of near-death experiences and deathbed visions. From such sources we also learn that death is experienced as a sudden and very pleasant enhancement of the soul’s faculties, even if no “senses” seem to be necessary for the experience. The only sort of comprehensive view of the beyond on offer comes from Emanuel Swedenborg; in the world he projects there are plenty of mansion of all kinds, rising high and low. Souls are self-sorting. They find the place where they belong. In some real ways death is a transition, tempting me to paraphrase Carl von Clausewitz: “Death is nothing but a continuation of life by other means.” And that continuation will much resemble life here as we lived it. And the invisible will also become visible.