Now and then it strikes me that the tumultuous, romantic—the
adventurous, daring, dramatic, and tense—the sort of thing that fills romances
like Poldark or seem to characterize
the lives of femmes fatales like Alma
Mahler of many lovers, say—is ultimately quite unpleasant when actually lived.
The pleasures are brief, the turmoil huge, and the inner state fragmented and
of necessity troubled—troubled if the individual even briefly thinks about the
people who’ll be hurt. And if this awareness is absent, the person is being lived by passions rather than
living a life.
The reason why dramas work is because the spectator can
experience successive emotions in a necessarily foreshortened and compressed
form but is spared the full, wretched experience. That experience is surely filled
with agonies or, if awareness is absent, has the character of stupid, passive
tumbling, falling, and spinning like some leaf blown by the wind.
The experience of life is quite different from the fictional
“real” world people long to taste. The vaunted “real” is a mirage—or, put
another way, is a servitude to passions, always wanting something, wanting to
grasp it, hold it, to consume it—and when denied it suffering and writhing in
the lack. The thought occurs that all of us inhabiting this realm were drawn to it
by some such immature desire—only to learn that we were going down rather than
up; we cannot find it here either, except in artful dramas; but those soon end.
Longing of the lower sort is never fully satisfied in this life or, if
satisfied, simply grows more virulent—while the hair thins so that that it must
be combed over the bald spot, the thickening body is strangled by corsets, the
sagging face lifted, the grey hair painted blue. Even the saints do not escape
it—although they learn the lesson sooner. Dryness plagues them and the dark
night of the soul…
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